Monday, 16 March 2020
Artist: British Sea Power
Title: Do You Like Rock Music
Label: Rough Trade
Do You Like Rock Music? landed over three years after British Sea Power’s previous record - the elegiac Open Season - which to me as a teenager was a lifetime! Being as obsessive a music fan as only a teenager can be, and being inordinately excited for this record, so much felt like it rode on DYLRM? on being great. As such I don’t think I’ve spent as much intense time with a record as I did with this album, playing it over and over again as the soundtrack to the writing of my University dissertation.
I’m not going to argue that this is the best album that British Sea Power ever released, but I do think it’s the one that captures their essence most succinctly. On release it caught a little flak for being ‘big music’, but revisiting it at over a decade’s remove it’s clear that this doesn’t sound anything like U2, and never strays into bombast. Like most of my favourite films, it packs in enough to make you want more, hinting at what’s just offscreen. Like all BSP records, it encourages a deep dive.
Our first taste of Do You Like Rock Music? was with ‘Atom’ on the 2017 EP Krankenhaus?, but it was with lead single ‘Waving Flags’ that British Sea Power crafted one of their most enduring anthems. Open-hearted and heavy drinking, a pean to immigrants and humanity. It’s a message that hits home even more in the darker times we’re now living through. Sadly the darker times weren’t the ones the band called for on ‘Lights Out For Darker Skies’ - a six and a half minute rally against light pollution that boasts the wonderful imagery “you dance like sparks from a muzzle”. And this from a band hitting their commercial peak.
Despite the tales of environmental breakdown (‘Canvey Island’) or references to the Nazi past of a certain Pope (‘No Lucifer’), Do You Like Rock Music? feels like an optimistic album. It says that whilst we may all still be in it, we’re together, we can share the burden and affect change. It’s sometimes hard to see that at the moment, but playing this record (nice and LOUD) never fails to give me goosebumps and despite the initial fanaticism with which I greeted it's arrival back in 2008 listening doesn’t feel like nostalgia. It feels like hope.
If you’ve not listened to this record before then; welcome in.
Wednesday, 26 February 2020
Title: Teenage Wildlife: 25 Years of Ash
Label: ECHO music
Asking why Teenage Wildlife and not 1977, or another of Ash's very fine studio albums, is the first record to be inducted onto The List is a fair question. The answer, simply, is that with this list it's not a case of either/or. I'm starting here because it is the very best introduction to a band who rank highly amongst my all-time greats.
My journey with Ash started around 2004 when they released fourth album Meltdown and I quickly backtracked to their first 'best of' Intergalactic Sonic 7”s falling very quickly in love. I saw them for the first time that year supporting The Darkness. At every stage of the way since they've been a presence in my musical life – from working their gigs, to bumping into them at midnight Star Wars showings and subscribing to their digital singles club at the start of the last decade.
All of this is represented across the two discs (2 hours 23 minutes) of Teenage Wildlife, from the fizzy punk-pop of 'Kung Fu' (a classic in anyone's book, I'm sure), to the arena-ready rock of their commercial zenith ('Burn Baby Burn', 'Shining Light' etc) via the pop flirtations of the A-Z Series Ash take on a range of styles without ever losing their key sound or appeal.
Despite my long history with the band there was moments from their career that I'd somehow managed to forget, only to be happily reminded this year when Teenage Wildlife landed. 'Binary' was never one from the A-Z Series that I remember standing out at the time, but here it's incredible. Similarly tracks from 2018's Islands that either didn't get full single release ('All That I Have Left') or weren't made a big deal of at the time ('Annabel') get a fresh lease of life and stand up with the classics.
Ash are one of very few bands I can think of that have maintained the same core line up for such a length of time – Tim Wheeler on guitar/vocals, Mark Hamilton on bass, Rick McMurray on drums – and I do wonder if this is one of the reasons why their output has been so consistent too. Of course they were joined by Charlotte Hatherley on guitars and vocals for a few albums which helped them take their sound up a notch, but the main trio has remained the same with (as far as I know) no major falling-outs. Maintaining that and an incredible level of quality for 25 years is no small feat. Music fans from previous generations often site bands such as Slade or Madness as being great singles acts, but I don't know of any that have had the run that Ash have had.
Somehow I've got this far without even mentioning 'Girl From Mars' or 'Angel Interceptor'. I guess Ash will end up with another entry on The List after all...